Lynne Featherstone has written a blog article in support of Channel 4 signing up to Trans Media Watch’s Memorandum of Understanding. I am interested in this on two fronts, Lynne is my MP and fellow Highgate (North London) resident, and I was one of the founder members of Trans Media Watch.
Unlike many campaigning organizations, Trans Media Watch did not set up a Facebook group to promote their work. Rather, it was set up as a Facebook group that later expanded into a non-virtual organization. I can give chapter on verse on this as I was one of the first invited members of the group. As the Trans Media Watch website states, it arose out of a campaign against a deeply discriminatory episode of the Kudos-produced ITV comedy Moving Wallpaper. I was quite prominent in a Facebook group set up to campaign against the Moving Wallpaper producers, as well as being one of the official complainants to OFCOM.
I withdrew from Trans Media Watch at a time when I was being spammed with daily updates about supposedly transphobic occurrences in the media. A large proportion of these were little more than journalists using language that members of the Trans Media Watch Facebook group did not like, in particular, use of the term “sex change.” I personally have no problem with a journalist saying that I am on a waiting list for sex change surgery, as I do not expect journalists to keep up with the minutiae of label wars within the trans community. What I do expect of journalists, and other branches of the media, is that they treat trans people with a similar level of respect to that which is given to other minority groups within UK society.
By the time I withdrew from the Facebook group I felt that I had already made an important contribution. The group’s original creator had phrased its aims in a way that suggested that it was there to attack the media for getting it wrong. I pointed out on its Facebook wall, that this is the wrong way to effect change. Instead, I proposed that the group should be seeking to educate the media about why certain approaches to trans people (fictional or factual) would be regarded as offensive. To change the media you need to be a friend to the media, and not an organization the media view as there purely to criticise them. That shift of emphasis was achieved when one of the Facebook’s current co-administrators, Jennie Kermode, joined the group and, as a journalist, and took the lead on designing a set of media guidelines.
I fully support the continuing work of Trans Media Watch to change matters for the better for all trans people, but they are still on a learning curve and need to learn fast. An organisation acting as a monitor for media behaviour needs to behave to a far higher standard than it expects of the media. In that respect, Trans Media Watch is currently failing and risks not only its own success, but bringing embarrassment to Lynne Featherstone, probably the most trans positive government minister that the UK has seen.
Lynne was at the official launch of Trans Media Watch’s Memorandum of Co-operation on Monday 14th March 2011. As a government minister she has a great opportunity to make changes such as her blog article point towards in bringing a Transgender Action Plan into being. It is unfortunate, therefore, that she faces potential embarrassment from a foolish, and foolishly timed, blog article by the woman who introduced her at the official launch, Paris Lees. She is a journalist (for Diva), and fellow administrator of the Trans Media Watch Facebook group with Jennie Kermode.
The foolish article is “Julie Bindel’s Genitals” and the foolish timing was to publish this the day before a government minister was lending her support to the Trans Media Watch launch. Had the article been published after the launch it would still hold a lot of embarrassment for Trans Media Watch, but would not have presented a potential media trap for Lynne, who could yet find herself receiving media flak for her presence at such a hypocritical launch.
The launch was hypocritical because 24 hours earlier Paris Lees had broken a key aspect of a key aspect of Trans Media Watch’s Guidance for the Media, and one that goes back to its origins in the protest against the comedy, Moving Wallpaper. The Guidance asks media organizations not to make use of comedic references to genitalia with regard to trans people. This links back to that episode of Moving Wallpaper, with its cruel, and not very humorous, references to the trans character’s genitalia. This aspect of guidance does not make it into the Memorandum of Understanding to which Channel 4 have signed up and which BBC and ITV may sign up to, presumably because attempts to limit comedy are unlikely to get the signature of a broadcaster. It is, however, something that Trans Media Watch have signed up to by placing it in their Guidance to the Media. Media monitoring organizations need to show the media that they themselves maintain high standards, and that must include living up to the standards that they expect of the media.
On Sunday 13th March, members of Trans Media Watch should have been preparing themselves for their important launch. Instead, Paris Lees choose to make a political point through comedic reference to “Julie Bindel’s Gentials.” This caused a flurry of internet activity, including on Julie’s Facebook account. Paris also created a Facebook group called “Julie Bindel’s Genitals.” She claimed in the response to the first comment on her “Julie Bindel’s Genitals” article that she closed the group down because she did not have the time to moderate wall comments. In reality, it was probably closed down by Facebook after a flurry of complaints from Julie’s Facebook friends, as it broke Facebook rules by being a group set up to target an individual. I would have made such a complaint, but the group had already been closed by the time I searched for it.
Paris had posted in a previous article “Julie-Bindel’s-Coming-For-Tea Lemon Drizzle Cake” on 26th February that she was inviting Julie round to meet her and some trans friends. On the day of the “Julie Bindel’s Genitals” Facebook group being created and deleted (13th March), Julie lamented on her Twitter account that Paris had cancelled the meeting. I have no idea if the meeting was ever really to take place or if it was just Julie responding to Paris’ earlier post, but meeting over cake would have been far better than making Trans Media Watch look hypocritical and Lynne Featherstone look unwise.
When the launch took place the following day, it appeared that Paris had got away with it. So two days later she posted “For the Love of Channel 4 …”, an article about the launch, complete with a photograph of her (and I think Jennie Kermode) sitting with Lynne Featherstone. The launch might have been hypocritical, but Paris soared to new heights with this article. She notes “Accuracy. Dignity. Respect. Three journalistic principles which should be upheld in all forms of media production.” Those three catchwords are the tagline for Trans Media Watch, but 24 hours before the launch took place, Paris was showing anything but dignity and respect towards Julie. I guess the cat must have eaten the lemon drizzle cake. Hold on, folks, do not move on yet, there is a yet more spectacular feat of hypocrisy to be revealed. Without a hint of irony, Paris writes, “I feel like a broken record saying this sometimes. I mean it’s simple huh? We don’t go around discussing other people’s genitals do we? You’d never catch me doing that, not even to make http://lastofthecleanbohemians.wordpress.com/2011/03/13/julie-bindels-genitals-2/a political point through allegory.” Oh, what happened there? Where did that link come from, it is not on Paris’ wordpress blog. Actually, it is, she has just broken the link, so the irony was not unintended but broken.
Note that the link is for an article called “Julie Bindel’s Gentials,” but it is now entitled “***** ******’s Genitals!” Paris notes in the opening to the article “NB: Following mixed reactions to the orginal [sic] version of this post, I have chosen to remove some of the more offensive terminiology [sic].” In response to my Open Letter to Paris Lees, she denied that this article was changed other than to asterisk out someone’s name. I am far too good a comic to miss an opening like that, so in response I informed her that that would make Julie Bindel’s name offensive terminology. I also noted that she was incorrect and that that content had been changed.
Paris is a key figure in Trans Media Watch and she is exposing the tender plant of this worthwhile organization to a withering in the current heatwave. The heatwave, that is, of Paris’ hypocrisy, not the one that is making it difficult to write in the city shared by Paris, Julie and me. She notes of Julie that if she really is repentant of her 2004 Guardian article (“Gender benders beware”) about transsexuals that it would no longer be available online. This may show Paris’ inexperience as a journalist, in that she will learn in time that once a piece is published, a writer may not have the contractual power to control whether their article remains online. Leaving that aside, at least Julie has apologised and made the point that she has apologised three times in a later (and still online) Guardian article “My trans mission.”
Apology is not, however, something that Paris majors on. In a later article, “Private Parts,” she bemoans the negative reaction that she received from established journalist Johann Hari, and the surprised reaction from her Diva editor, Jane Czyzselska (whose name Paris constantly misspells). What she does not do is apologise for the reference to genitals (has she not read the Trans Media Watch Guidelines for the Media?), and nor has she taken the offending article off-line.
I could wax more lyrical on the Judgment of Paris, but I will leave that for another article. Suffice to say for now, Watch Trans Media Watch, as what they are trying to achieve is worthwhile and I wish success to an organisation that I helped get off the ground. They are still, however, on a learning curve, and so I plead that someone will Watch Trans Media Watch, because with Paris Lees in a prominent position, they certainly need watching.
Oh, and Paris, please take your puerile Julie Bindel’s Genitals offline. And, yes, I do know that puerile means “like a boy.” I have an A Level in Latin, where among other things I translated The Judgement of Paris. Attacking a woman whom you do not like by encouraging others to giggle at her genitals is acting like a boy, and you being a woman does not excuse you from the charge of being puerile. You may not worry about embarrassment to you, but take a care for the very trans positive Lynne Featherstone, and for Trans Media Watch, whom you claim to represent.